side and the reflection of windows in the sitters eyes suggest a second light source coming from the left-hand side. By the age of twenty-six Dürer was a travelled and educated man, who already owned an own workshop in Nuremberg. Both believed in the power of education, individualism, and cultivated knowledge of the Classics, scriptures, and writings from early Christianity. Grieve,., New York, 1980, 7-8. They also emphasized an ethical way of life and believed that classical and Christian cultures should be combined. This essay will scrutinise the wide range of influences on Albrecht Dürer the Younger (1471-1528) by analysing the artists. Let us edit for you at only.9 to make it 100 original Proceed. Sinisgalli,., On Painting: A new Translation and Critical Edition, Cambridge, 2013.
14 Vasari,., The Lives of the Artists, in:. Italy was a hugely wealthy country, and the Italian cities, due to their strong economic position attracted many of the foreign merchants. Albrecht Dürer the Younger was born on the 21st of May 1471 in Nuremberg, Germany. Historians consider the Renaissance not only an era of grand cultural achievements; it was also a period that witnessed an intensified sense of identity and individuality, at least among European elites (Martin, 2003,. Panofsky,., The Life and Art of Albrecht Dürer, Princeton, 1955. More than one aspect offers itself to the eye of the beholder. Virgin of the Rocks (Fig. Sorry, but copying text is forbidden on this website! The Church could spread a great amount of ideas to the Northern Renaissance in the Holy Roman Empire, Low Countries, France and England. Hence, the artist is deliberately maintaining a certain degree of recognition instead of fully idealizing his features. Both imitated nature through emotional intensity through religious scenes.
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